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An Open Letter for Nan
I can’t think of another time like the one we’re experiencing these days, so chock full of high highs contrasted by low lows. Of births - our first granddaughter, Evie, and our latest dog, Harper - and yes, of deaths. Of the successful completion of years-long...
The Agenda, As Of Yesterday
For better or for worse. We’re all familiar with the usual context to which the words are applied. But it also pertains to the subject I’ve chosen to focus on this morning, homeschooling. I’ll start with the “better”: at long last, Nan and I can burn our ski masks and...
I See Me
My research into the Tulsa Race Massacre had begun years prior to developing my response to the 1% for Art Sculptural Installation Project for the Cox Business Convention Center in the spring and summer of 2019, but as I searched the Online Collections Database...
Angela Eastman: A Method of Traveling
An interactive sculpture presented at Fort Mason Center in San Francisco and at Rejuvenation in Portland in July, 2015, as part of the Renegade Craft Fair, the Traveling Queen is a whimsical piece designed to encourage playful interaction with the surrounding...
Curvy Commission
Loyal readers of Art Regard will have noted that, to date, I’ve made rather scant note of a public art commission I was awarded last year. Nearly all I've made mention of is the project's intended location: Tulsa, Oklahoma. Does that mean I'll be living and...
Inflection Reflection
It's February 16, 2020. Been a while since I've "regarded" anything on the blog, as I've been ensconced in a few projects in the non-virtual world. So I thought I'd begin by updating you, broad strokes, as to what's occurring in my art career, as well as,...